played by: bas mooy, chad osborn, dolgener, drumcomplex, elektor, empty_room, flex, forest people, gery otis, joseph capriati, krenzlin, mtd, niereich, octave, primal beat, rvde, ryuji takeuchi, slam, space djz, stevie wilson, submerge, the welderz, unam zetineb, uun...
morgan tomas is a dj/producer from france, who also runs the label reloading records along with a weekly podcast. in the past years, he has had several releases out on labels such as sleaze, nachtstrom schallplatten, prosthetic pressings and silent steps. he has been supported by great artists who often play his tracks. his music is a deep rooted techno, dark and energetic. with this album, he tried to reflect on several types of techno, using different environments, with a wide range of musical styles.

leftroom welcomes its new vinyl only white series. the first release sees the return of geeeman and mosca with their instrumental takes on matt tolfreys the truth and sweatshop boys wide world.

frankfurts frank heinrich aka reboot was raised on a diet of real techno, gorging on many nights at sven väths legendary omen club. today he gathers influence far and wide for his own productions, often delving into the realms of world music and jazz, and combining them with his unique and relentless dancefloor rhythms. now one of the most in demand producers on the scene, reboots music regularly features on labels such as supplement facts, moon harbour, cadenza and cocoon.
reboot makes his circus recordings debut with two new cuts that encompass a desire to own the dancefloor, coupled with his micro-particular drum programming and relentless demonised funk. label mate harry romero returns to lend a hand on remix duties, stripping samson of his locks and replacing it with loopy techno. another huge ep from circus recordings.
pressing on translucent blue vinyl.

confidently striding into his third musical decade, luke solomons influence stretches far and wide across a scene that has been embedded in his dna since the early 90s. now harnessing that wealth of experience and unmatched passion for music, solomon presents his next undertaking, positioning himself as the dj/shop assistant/curator you always dreamt about

two original tracks performaed by damaskin. mental and ambient techno, with soft bassline and dark atmosphere, this is the sound of damaskin, deep and weakness at the same time. on the other side a perfect techno remix of cassegrain duo, 7 minutes of a killer-dark-dancefloor-oriented track. limited to 200 copies world wide.

klara lewis debut release presents an electronically charged reconstruction of organic sound matter. 10 tracks featuring a wide variety of sonic material which is subjected to lewis unique approach to the sonic landscape. field recordings, small sounds, samples, ambient pot holes, repetition, and giddy disorientation are all tactics deployed by lewis. on entering these works we take a voyage through a series of audacious audio adventures, playful musical miniatures and choppy sonic seas. there is a human warmth to much of the material as lewis expertly crafts musical matter from the living world. *ett* is an exemplary investigation as lewis reconfigures sounds of life itself, from the delirious to the tender. a bold vision from a bright new talent. recorded, sampled, edited, manipulated, mixed, produced and arranged by klara lewis, artwork by dave coppenhall.

last summer, you could barely escape the wide-eyed charms of *late train*, the epic second single from paul murphy and quinn lukes all-star balearic rock outfit. following its release on claremont 56 last may, the song became the soundtrack to sweltering afternoons by the mediterranean and lazy boat parties in the adriatic. 10 months on, the blissfully baggy original is given a new lease of life thanks to a swathe of new remixes.

after his mobilee debut, sebo k has continued to release quality records with regularity on the label year after year. spirits, mr. duke, and diva all received critical acclaim, while finding their way into record bags far and wide. this only propelled sebo k even farther as he became an in demand artist for remixes and club appearances.

invisible circles are back after wide spread support from ricardo villalobos, raresh, onur ozer and baby ford.

cleric hails from manchester in the north of england and describes his precision designed, heavy techno tracks as a means to translate emotion to others to transport his intuitive feel for timing, tension and sound engineering to listeners far and wide.

moj001 delivers to you five tracks from little nobody which fascinatingly branch through diverse genres and influences which here, on the one record alone, manage to represent this artists wide variety as well as nicolas. judging from this artists extensive bio, since hes delved through techno, idm, hip hop, jazz, disco, electro, etc, the wide-spectrum approach becomes evident. like many artists from the 1990s, little nobody brings with him the healthy baggage of music with a message, polemic subjects, thoughts, ideas, humor, you name it. this comes as an aural statement: music has the power to challenge us, the way in which we perceive the world, and points out things which could potentially generate change for the better — if we only stopped and considered looking that much deeper. so this record couldnt come at a better time, a period in which we live where everything is disposable and a numbed societys music attempts to reach out for our consciousness — posing for us the opportunity to stop and think.

heavily inspired by early rave and detroit electro, paul blackford’s first release on breakin’ records was described as a pioneering uk take on the detroit techno bass sound. since then, he’s released tracks on labels such as wide, deadlock records and twilight 76. in 2009 he set up militant science as an output for his own and other artists material, with support from djs such as dave clarke, dj stingray, dj godfather, edmx, keith tenniswood, and many more. blackfords latest release on cpu turns up the bass and tempo, think kraftwerk vs detroit in effect.

adding to his extensive and diverse catalog, alexi delano delivers his first release for spectral sound. my busted sh-101 is an ode to the beloved and portable synthesizer made by roland in the early 80s, not long before delano started djing. as a producer, he s earned a reputation for being a bit of a machine himself, churning out records on a wide variety of labels over the last 20 years. he holds his own in house music under his a.d.n.y. moniker, but its with tracks such as this one that show off his love for dark, weird techno that sits comfortably alongside spectrals finest.

jorge c. is not only a great producer (who was also signed by the legendary detroit matrix label), but also label owner of the well known chile based ojo de apolo. jorges music is strongly rooted in detroit deep house, chicago jack sounds and mid-nineties peak time housemusic, but also known to just as easily fuse a wide variety of other styles including dub, experimental electronica, future jazz, nu wave, disco, afro beats & particularly 80ies rare funk. check *love song*, an absolut party firecracker fused with funk elements which really freaked us away. dan piu aka george b. from allstarr motomusic re-worked jorges *jam* song slightly by adding some cool cuts and jazz chords. big shouts to our graphic artist and multi talent popshop, who always delivers 100% quality. pressing on red coloured & marbled vinyl.

commodity place project is back with two masterful compositions wrapped in a special colorful ep. the duo composed by roman musicians massimiliano loretucci (computer and synths) and riccardo frosoni (guitar and percussions) has set two amazing tracks letting the mind and body to travel far away till the most unreachable and undefined horizons of psychedelic music. on side a, >multifrequency behaviour of high energy cosmic sources< develops an intense journey into a nebulous space dimension where a wide range of fluffy cosmic echoes are stratified and stretched to the infinity, while human perception is totally kidnapped by ancestral voice effects. straight to the unknown ambient paradise. the endless 12 minutes of >ahura mazda< fill entirely the b side. a melodic start up loop on a mild 4/4 downtempo pace prepares the well coming of an outstanding solo guitar excursion with some psy-synths on background for a piece of music that we can literally define as an extraordinary psychedelic / krautrock symphony. so, now you are in. but remember: over the mystic mountains another earth could be found.

the fourth instalment of local talks series crosses all genres of house and have been delivered by producers from sweden, argentina, germany and finland. its a wide and complete mix of deep and thumping 4/4s. the opening track from combo loops a killer stevie sample over some mid-tempo electronic house beats…its pure shuga! tim vita, oliver gehrmann and xavier hirsch does a similar thing using a big voiced motown legend together with dark but jazzy house rhythms. < finnish house legend sasse (mood music) delivers a classic deep but electronic jam that definitely sets a deep mode. we finish off with a classic us garage track from argentinian producer tom noir, a real club filler with some serious breakdowns.

we are excited to say the least about the remix 12inch of the new radio slave single that is currently destroying dance floors world wide on spencer parkers work them imprint, featuring remixes from the mighty bearweasel & rodhad...

bladerunner vs mr explicit 4 track ep which has been supported by major drum and bass djs world wide: dj friction, ray keith, nicky black market, kenny ken, randall, bryan g, frost, fabio, grooverider, andy c. ...

136° club - known as a established club in hamburgs redlight district, is now launching a new music label: 136 degreerecordings. a symbiosis of club and music is about to begin. their first release named sinus ep comes along with strong and arms wide open sounds. frederick alonso, kevin over or neal porter are just some of the names to be mentioned who add their great sound to this first ep. special focus on tapesh and his great remix of muovos track called clap your hands. grooving, pumping and drivining deep and tech house will be characteristic for the first release. a great album in all its facets - it makes you looking forward to whats coming up next. its all about their love for 4/4 grooves.

the spanish duo exium and french artist elyas present a special split ep presenting a funk fused space journey and go deeper into the sound of functional grey area techno. sonically the release pushes the listener into what currently identifies the label’s sound introducing various works that are made for a wide range of facilities and situations and continue to shed light on what is ahead

chez damier signed his debut for balance. gilles smith requested his remix treatment for secretsundaze. he is a busy producer and great dj, a true gifted artist known as jorge caiado. his new and much anticipated 4 track ep is finally here, released by his hometown label, groovement. house is where his heart is but jorge caiado s mind travels far beyond any genre, crossing the full music spectrum. his productions always incorporate different elements and new levels of energy. the new spotless mind ep gr020 follows the path revealed by his *beyond the atlantic* debut on balance, legendary chicago label run by chez damier. music that reflects his creative vision from inside out. originality and a sound signature are in development here. this 4 track collection demonstrates how deep, wide and yet close to the heart his music is, transcending both the context and vertigo of our time.

another fantastic smooth ep from playmore with jazzy over tones. set to work on dance floors world wide. pressing on brown coloured 10 inch vinyl.

for this 4th release, we decided to bring you guys one of the best producer right now : kuba sojka !!!the analog man, his continued music production has focused on collaboration with the chicago mathematics recordings label, which presents his more jazzy and soulful face, but not only through the >bright shadow of a star< ep, but from a bigger thanks to the album >mysterious intrigue< released on 2x12<. that release boldly displayed how kuba can combine a bit of the artistic world in jazz and underground club sound of detroit techno and chicago house. this alone didnt confirm the listeners of his music. it was also due to the fact that he presents a real and sincere vibe and is open to new and developing sounds world-wide. as you guys can expect from the man, those cuts are clearly inspired by undergound resistance, dopplereffect, minimal wave & the chicago house sound. the title track >future mind< is a perfect example of those influences, for us it already sounds like an instant classic. the 5 other tracks >revolution<, >walk on moon<, >adventures into the unknown

the sophomore release from ali wells new specialty imprint submit, feral grind (submit002) collects tracks from a wide swath of producers who operate at the intersection of techno, drone and diy electronics. curated by wells and music journalist justin farrar, the compilation features a balanced assortment of well-established innovators and under-the-radar sound explorers. the names pete swanson, prostitutes, burial hex, profligate, bleaching agent, hive mind and indignant senility will certainly be familiar to those who keep abreast of the latest developments in cutting-edge electronic music.

vino feat. oreste with their debut album on hamburgs taste making hafendisko, deo & z-man proceed their research in contemporary electronic music beyond stylistic boundaries and present a wide-ranging lucky bag of songs.

one of the rarest and most sought after nigerian records is now finally reissued in beutifully remastered sound and with its original artwork.the amrtin brothers were the backing band on the pax nicholas & the netty family album and not only recorded as the tabansi studio band but also as saxon lee & the shadows international. this record presents them at their artistic peak. a solid listen throughout, this is not just another african reissue but an incredibly deep and mature album that stands its ground amongst the best funk and soul jazz albums world wide.

second part of this two episode series on subnet records. following the same flavour as before... dark textures and mental synth lines driven together by hard drum patterns and groovy percussion. these two ep reflect the creepy and insane behaviour caused by experiments in the field of invisibility applied in the human being. all the tracks were recorded live! just using analog sequencers, mpc, analog mixer and synths. directly to a recording device. in the same way as you could record a live set, to keep all the vibe as fresh as possible. 220 copies limited vinyl release.

halal prepared: respectfully selected cuts, uncontaminated by mass production.
back with a bang, the halal prepared series from boe brings three exciting artists whom cover a wide range of the house music spectrum yet the release as a whole manages to focus on the essence of true deep house music.

from deep down beneath the silent sea surface comes the fifth tiefenrausch release. the >rotterdub remix ep< features four producers of the direct environment of the label. frank hellmond, neurotron, schäufler & zovsky and baumfreund laid their hands on noetics >rotterdub< and opened the wide spectrum of deep underwater music. a wonderful piece of dubtechno music.

funky towns wide musical range means their ft005 work is perfect for both chilling at home and the next party in any worlwide place (club or open air). funky town music is proof of their finely tuned senses, it mirrors both the global audience it addresses and their very personal view of the world. delivering an intense and fantastically broad musical picture, where ep meets surround sound for body & soul!

andrey terekhov is known to the world as eastcolors, and is known for his wide-scale, expansive sound on releases for labels such as critical, samurai and hospital. now, it is demand records who take up the talented young russians work, the swiss imprint is respected the world over for its strength of roster, quality of releases and forward-thinking vision. the perfect combination of artist and label, then, for the issue of the light ep. the original is straight up classic eastcolors, with ranging depth, soulful vocals and urgent, percussive beats. the flow is augmented with some flashing electronics, smooth delivery and top drawer arrangement and production. truly a gifted musician, if you have slept on eastcolors up to now, it is time to wake up.

andrey terekhov is known to the world as eastcolors, and is known for his wide-scale, expansive sound on releases for labels such as critical, samurai and hospital. now, it is demand records who take up the talented young russians work, the swiss imprint is respected the world over for its strength of roster, quality of releases and forward-thinking vision. the perfect combination of artist and label, then, for the issue of the light ep. the original is straight up classic eastcolors, with ranging depth, soulful vocals and urgent, percussive beats. the flow is augmented with some flashing electronics, smooth delivery and top drawer arrangement and production. truly a gifted musician, if you have slept on eastcolors up to now, it is time to wake up.

since day one, radiq has been showing an affinity for the afro-centric funkiness and carefully-honed sound design of modern days minimal music. as in many of his previous tracks, all six songs of >vida noir< has this certain kind of unyielding quality - long, hypnotic grooves with muted kick drum set the stage for more emancipated experiments in texture and sound design. on >a long hot summer break<, for example, the effect is utterly obvious as kicking its ass into gear with syncopated drums and strain of warm chords before animated vocal sample slips in like fingerprint. while deeply seductive interplay of those chugging percussion gives way to delighted horn of >a-dieu<, warm chord and acoustic guitar of >calling< is perfect example for radiq’s masterful sound and texture. >machine codes modified< has rather restrained structure for him, but tightly woven drums speaks eloquently about its carefully arranged funkiness and dance floor functionality. despite their repetitiveness, its surprising how well these productions forming cohesive solidarity as an album. presumably, it owes a lot to wide tonal vocabulary which is radiqs hallmark - these tracks has something concentrated, vivid qualities. this album sits just at the edge of the dance floor, but also performs its exceptional strength on intense home listening. dusky synth and truncated surge of bass of >vida noir< constructing something dark, before closing this album with modulated afro-acoustic guitar and deep falsetto voice (by the producer himself) of >rondo<. this album offers up an engaging and comprehensive amalgamation from the inquisitive sound by the maestro

authentic pew presents with its fourth release the debut of the collaboration between angel costa & attemporal under the moniker attac. forcing rhythms and well chosen acid ingredients open a wide space for a hypnotising mindtrip. the following remix by perthil & aerts reinvents the previous elements more to the floor. as patria from paris focussing on their 9-minutes-journey the deeper shades of techno, before tomohiko sagae breaks it all down with industrial noises and terrifying beats.

growing up in the deep south of germany with multi ethnic friends and big interest in many different music genres of the world, borrowed identity built his wide knowledge in music. this variety in his musical taste is also the reason why he is working under different aliases producing a big variety of sound from ambient to house to experimental music and everything inbetween.

following on from his dynamic debut lp on tectonic last year, civilization, and an excellent contribution to this years tectonic plates volume 4 in the form of *kerplunk*, distal returns with a solid 4 track ep that spans the full wide range of his production ability.

nyta hails not from the big apple, but from bristol, uk. his real name is mensah anderson, who is also the seasoned producer that you probably know simply as mensah. the nyta guise focuses on being a fresh outlet for his 120 - 130bpm 80�s electro, house & techno influenced tracks & creations. the �new york transit authority� name was first adopted for a split 12�� release with conqueror (redlight) on redlight�fs lobster boy label last year. his side was a slinky, 808 house number entitled �*off the traxx�*, which deservedly found its way into fact�s 50 best tracks of the year & was caned by a wide range of top djs across the globe, including joe goddard, loefah, redlight, boddika, jackmaster, disclosure, pearson sound, benji b & giles peterson to name just a few. nyta has already proven himself as a talent on the decks with sets across the world & two exclusives mixes: one for dazed & confused & �ethe one�f for fact mag that finished in the top 20 best fact mixes of the year.

candy tongue is the second single taken from the upcoming third studio album lost by trentemoeller. the beautiful song features the vocals of danish singer/songwriter marie fisker. trentemoeller already teamed up with fisker on a song for the into the great wide yonder lp and shes also become a firm member of trentemoellers live band, who are touring the european summer festivals at the moment.

nicholas desamory is proud to announce his latest basement luxury for the crowd. attention: with the purchase of a gold & diamonds 12 you get all the glamour money can buy. im so blase is the new imprint of berlin based producers and long term colleagues hanno leichtmann and nicholas bussmann aka the vulva string quartett and nicholas desamory.the label is named after their favorite song by the red krayola. this year we start the label with five releases: two vsq 12 and two nicholas desamory 12 at the end of the year a 12 from both of us remixing a very special guest .while people know hanno leichtmann and nicholas bussmann for doing a wide range of music im so blase has a clear focus, so what to expect? cinematic slow house & disco for the passionate dancer and listener. all 12 come in an intense red sleeve, so watch out for red sleeves. the wonderful handwritten i‘m so blasé is by lucy mckenzie

subtlety and class are what ultimately set apart certain techno releases from the multitude of records coming out each week. with this new four track ep on m_rec ltd. grey series, echologist (aka brendon moeller) skillfully incorporates a wide range of ideas, delivering an affective and fascinating piece of unconventional far out techno.

kid cultures experience in the electronic music has been firmly rooted from amsterdams thriving scene, the city where he currently resides, the diverse nature of the music scene in his home-town has given culture a wide array of soundscapes to influence his music, taking inspiration from jazz, funk, and hip-hop as well as house and techno.

ministre x is back again on his own label, clekclekboom, to supply paris house & bass havens with its 14th official release. after his lush, club friendly debut *calling me* ministre has teamed up with long-time affiliate, the parisian pianist and self-proclaimed dandy, mattias mimoun under the moniker aethority. put together over late-night sessions in the clekclekboom studio, the aethority ep draws from wide variety of influences, both in and outside of dance music, for a weighty and unique double track release.

slamming deep house with alix alvarez remix on the flipside ,
250 vinyl copies available

achim maerz takes electronic abstraction back to a state of organic harmony and rythm. his ep >long time no see< reveals a soundscape of intimacy and evolving grooves. reduction broadens its horizon. all sounds are carefully placed and a sustaining atmosphere keeps developing from song to song. still each one is an individual scenery of its own. >keys of my soul< delicatly moves through wide rooms while >shake, shake, shake< leads closer to the core of groove. the backbeat driven >system< already possesses a pushing groove which mutualy connects it to >long time no see< with its warm pulsating baseline. achim maerz approach to house shows how much is possible if self-limitation leads to creativity.

beautiful melodies crafted with intricate layers of electronic sounds. japanese music producer masumi nishimuras solo project inner science. in which he creates an original kind of electronic music using his signature shimmering tones and melodies along with a wide spectrum of rhythms that is uncategorisable to conventional genres.

favouring the potential of techno as a vessel for shock and awe, curiosity records emerges with a focused intent and a powerful opening statement with this ep from one of the unsung heroes of french electronic music, arnaud le texier. having followed his heart throughout his career and always seeking to unlock the creative potential of minimalism in music, arnaud has traveled far and wide both as a dj and a producer before reaching this point here, where he heeds the call of long-serving parisian upstart skat in providing tracks for his new label. cry001 stands strong as a testament to the principles that make techno exciting, avoiding the popular trend of industrial brutality in search of a more spiritual message within the intense drum patterns and synth arrangements

migs most recent artist album outside the skyline was released in 2011 on om records and saw ample amounts of love and support from a wide range of industry and music fans alike. the album showcases a diverse range of musical styles and quality song craftsmanship featuring an impressive array of top notch special guest vocal talent.
the skyline vault remixes aims to finally release some previously unreleased remixes crafted by some talented producers sharing their reinterpretations of various songs taken from the album.

we always treat family affairs with greatest care. you just dont know where this all ends ... most likely in shaking your head in disbelief. yet, in the case of siblings lysann and gunnar zander we have thrown all doubts overboard. by no means in at the deep end given that both of them have been making music together their whole lives: acoustic, electronic, in the depths of soul and jazz, or in the wide world of the dance floor.